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 | Pity accompanying website no longer exis |
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| What: | Who Goes There (Miscellaneous factual books) |
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| By: | David Kinne, Banyo, Australia |
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| Date: | Saturday 14 April 2018 |
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| Rating: |   6 |
I have an epub edition purchased from Kobo.
I have been a Doctor Who fan for about 50 years, so when I saw this book and its promise of being able to visit vicariously Doctor Who locations, or more precisely filming locations, I jumped at it, especially as the blurb promised a link to a website where all the author's photos and other special features could be viewed.
Alas, while the author's style is refreshingly self-depreciating and humorous, the supplied link does not work so the reader has to go solely on his narrative descriptions of each location.
The choice of locations tallies pretty closely with my own - or any fan's I would suspect - top "wanna sees", but without the photos/images I can only give a rating of six out of ten to the book. With images, I suspect it would be ten out of ten.
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| 95% Egyptian history, 5% Pyramid of Mars |
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Expected a critical exposition on the episode Pyramids of Mars, came away with a diatribe about Egyptian history. Vaguely disappointed.
| What: | The Darkness of Glass (Fourth Doctor Adventures audios) |
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| By: | David Layton, Los Angeles, United States |
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| Date: | Tuesday 10 April 2018 |
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| Rating: | 7 |
Pretty much what one can say about this episode is that it fits the Gothic Doctor Who of the mid 1970s perfectly. It is very much Horror of Fang Rock meets Image of the Fendahl. We get a small cast of characters isolated in a Gothic castle on the coast in the late 19th century. There's a Magic Lantern show that has been rigged to conjure a "demon" from some other dimension. It all has to do with light and glass. All the actors definitely had a good time making this one. The story is a decent pastiche of a style.
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| Good showcase for Peter Davison |
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| What: | The King's Demons (BBC classic series DVDs/Blu-rays) |
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| By: | Don Klees, Silver Spring, United States |
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| Date: | Saturday 7 April 2018 |
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| Rating: | 7 |
When I started watching Doctor Who over 30 years ago, Tom Baker was The Doctor. When I say that, I don't just mean that he was the fourth actor to play the Doctor or the current star of the series. He was The Doctor, plain and simple. Baker's persona was so forceful that I couldn't imagine that anyone had been The Doctor before him, let alone that anyone would be - or even could be - after him.
As a side effect of this, when I finally saw his successor, the much lower key Peter Davison, I found him a bit underwhelming. By the time I got to watch more than a few of Davison's episodes, I'd already seen Colin Baker in the role and decided that the next Doctor was more to my liking and that initial impression solidified into a firm judgment - Davison had been in some great stories but was not himself a great Doctor.
It would be many years and DVD purchases (not to mention several audio stories for Big Finish) later until I took the time to revisit that view. Interestingly, it was some of the less respected stories from Davison's tenure that made me appreciate him the most. In a story like Caves of Androzani, where nearly every element of the production is top-notch, even a strong performance like Davison's doesn't necessarily stand out. In contrast, the more lightweight stories sometimes allow a viewer to appreciate what he brings to the part. A case in point is 1983's The King's Demons, which is often ranked with Timeflight as one of the show's worst stories. Though not a classic piece of TV by any stretch, it's still a fun way to spend an hour. In fact, compared to some stories of Davison's tenure, it's aged rather well.
Thanks to the historical setting, there are few if any of the fashion victims that sometimes make futuristic episodes hard to enjoy. Plus, even though the golden-age of BBC costume drama was a few years in the past by this point, they still had the ability to create convincing period settings that looked far more impressive than you'd expect with the kind of tight budget a two-part Doctor Who story would have had in the early 80s. This combination allows one to focus on the story and performances on their own terms.
The King's Demons' narrative faults are fairly easy targets. As the Doctor himself points out, the Master's plot is "small-time villainy", some of the historical background is a bit shaky, and the resolution is somewhat lacking in drama. That said, the process of getting to that resolution is actually quite enjoyable, especially the build up of a historical mystery that takes place over the course of the first episode. Some of that sense of intrigue inevitably falls by the wayside once the Master's involvement is revealed, but even then there are enough questions posed to keep things lively. Ultimately, you get the sense that the story's bad reputation is less about the weaknesses of the story itself but rather because it wasn't especially ambitious.
If so, that's a shame because there's a actually lot to appreciate, particularly with the acting. Both the series regulars and guest stars like Gerald Flood give strong performances. Even Anthony Ainley - perhaps benefitting from a plot that doesn't involve universal Armageddon, is in good form. The key to the story, though, is Davison. In this story, you can truly appreciate the quiet conviction Davison brings to his performance as The Doctor, holding the viewers' attention without drawing attention to himself. When you see him in action - never overwhelmed and quietly putting the pieces together in a way Tom Baker seldom had the patience for - there's no question about who's driving the story.
In that respect, The King's Demons calls to mind some of the historical stories from William Hartnell's tenure as the Doctor, where both time and budgets were even tighter and much of the audience wanted nothing more than non-stop Daleks. Like Hartnell, even when his Doctor is in the thick of history, Davison makes it clear that this is his show. I've realized - better late than never - that this a very good thing.
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| Good fun for a good cause |
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Toothless
Two main qualities tend to distinguish good parodies from the bad. Good ones are generally made by people with an appreciation of the work being spoofed and often serve as good examples of the subject even as they’re poking fun. Good Doctor Who parodies rely on a further dimension - a focus on the narrative conventions rather than budgetary ones.
In television terms, it's the reason Curse of the Fatal Death was magnificent while the sequence with David Tennant and Ricky Gervais in Extras was woefully unfunny, but the principle also applies to other mediums. Professor Howe and the Toothless Tribe - a parody of the very first Doctor Who adventure - aligns itself far more with the former category. Written by Christopher Samuel Stone, the book is the first in a series of novels raising money for the UK's Children in Need charity, which makes it good fun for a great cause.
The starting point of the Professor Howe books are the numerous novelizations of the original television stories published for many years by Target Books. Written mainly in the 70s and 80s at a time when the majority of televised stories were largely unavailable, for at least one generation of fans the novelizations were as much Doctor Who as what had actually been broadcast. In some respects they were superior. The tension between budget and imagination throughout its history, the program was particularly suited to "theater of the mind".
Professor Howe and The Toothless Tribe deploys some nice jokes related to this aspect, the nature of the Professor's craft chief among them. It also finds plenty of humor in the current political climate, which for better or worse lends itself to the caveman setting. It's the nature of any parody that some jokes come off better than others. In the end, though, this book is good fun for a good cause and worth a look if you're a fan who can both love and laugh at Doctor Who.
This undiscovered manuscript (now featuring the second version of Romana and K9, and seemingly closely tied to the “entropy” storyline) clearly resonates with the combined influences of the Hitchhiker’s Guide, and the Fourth Doctor era.
It would be interesting to witness modern day producers adapt this epic, mind-blowingly spectacular adventure for the recently rebooted television series, because the dedication and ingenuity encompassed within is of an extremely high standard somewhat unexpected and sometimes undetected. The interesting aspect would be whether they could pay sufficient homage to the breath-taking mind of Douglas Adams, because James Goss has certainly crafted a more than satisfactory novelisation.
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| Great Set, Track it down!!! |
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This is a holy grail of CDs, do get the others though.
Weak Story of this Collection: The Smugglers, the rest are excellent
Sit back and enjoy the ride. Full of giggles and very entertaining
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| Another It Didn't Really Happen Ending |
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| What: | Voyage to the New World (Jago and Litefoot audios) |
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| By: | David Layton, Los Angeles, United States |
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| Date: | Friday 23 March 2018 |
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| Rating: | 7 |
While Voyage to the New World starts as a historical, it moves into becoming a quasi-supernatural story of the disappearance of the Roanoke colony in the 1590s. The scope of the story is a bit larger than the 1 hour time limit, so there is much skipping across days and weeks in the early part of the story. Big Finish does well here in accomplishing a lot with a little. Nevertheless, part of what does not quite work for me in this is the general air of depressed inevitability running through it. The characters don't exactly just give up, but they don't exactly strive hard for overcoming the problem either. And then we get another timey-wimey it didn't really happen ending. This seems to me too convenient a way for a writer to get out of a sticky problem.
I loved everything about this book. A parody of An unearthly child/The tribe of gum and it is fantastic! Read it in one sitting as extremely easy to read and a constant joy that had me laughing nearly every page. Buy it now while there's still time as it's also for a great charity. Looking forward to the sequels!
| What: | Legend of the Cybermen (Big Finish: The Monthly Adventures) |
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| By: | David Layton, Los Angeles, United States |
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| Date: | Tuesday 13 March 2018 |
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| Rating: | 6 |
"Legend of the Cybermen" has an interesting premise. What would the overly logical Cybermen do in the Land of Fiction? The trouble with the story is that it suffers in two ways: 1) Big Finish felt the need for a huge, sweeping ending, which is always hard to do with just a few actors and is never quite as thrilling as it sounds, and 2) The setting is a place where anything is possible, so without the constraints on narrative logic, the writer gets lazy about how the plot works. The second trouble is apparent in the explanation of how Zoe arrived in the Land of Fiction with the Cybermen. She just thought her way there? It seems so easy if one is plugged into a Cyber computer just to punch a hole in reality. The first trouble is apparent in that much of the dialogue is spent on describing the action: "Look, there's a something, and it has those, and looks like this, and I never thought I'd live to see a that thing with that other thing attached, and see the hordes of Xs coming our way, they have...." The story does have some clever jokes, such as when Jamie almost writes himself out of existence by becoming metafiction. There's a great scene in which Jamie confronts the Doctor on why he never returned to look in on Jamie and Zoe. So, a real mixed bag this time.
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| It Happened/Didn't Happen Again |
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| What: | Blue Forgotten Planet (Big Finish: The Monthly Adventures) |
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| By: | David Layton, Los Angeles, United States |
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| Date: | Wednesday 7 March 2018 |
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| Rating: | 7 |
This ends the Doctor 6/Charley combo. Writer Nick Briggs has tried to go out with a big, bombastic finish, full of zombie-like hordes, maniacs with guns, ruthless aliens, and the Earth in peril. It's another one of those somebody is messing with the time line sort of story. Herein lies one of the problems. Clearly if this is Earth and nothing corresponds to any known history of Earth, then The Doctor should be a little more perturbed about it than just "it doesn't feel right." Also, the plot that runs in constant crisis mode means that there is no way to go bigger once the engines are revved, at about 10 minutes into part 1. Still, the story follows the logic of its setup. The Viyrans turn out to be one of the more interesting Big Finish creations in their own way, because their ethical code works well as a foil for The Doctor's ethical code.
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| Both Intriguing and Cliched |
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| What: | Paper Cuts (Big Finish: The Monthly Adventures) |
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| By: | David Layton, Los Angeles, United States |
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| Date: | Tuesday 6 March 2018 |
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| Rating: | 7 |
Paper Cuts provides us with a kind of respite in Doctor 6 & Charley trilogy 2, with little in it that relates directly to the long story arc. That in itself is a little strange since central to the story is a "space plague" during The Doctor's earlier visit to Draconia. The story itself is fairly typical of Marc Platt's playing with reality kind of plotting. The Doctor now paired with Mila pretending to be Charley responds to a summons by the Red Emperor of Draconia. He comes to find out that it is for the Emperor's funeral. However, things are not quite right with the whole setup. There are plenty of very interesting aspects to the story. Platt draws out many of the strong connections between the Draconians and Medieval Japan. The idea of a kind of Valley of the Kings in space is also quite intriguing. The characters, however, draw down the quality of the story. They are just too much to one type each. The High Priest/Queen Mother is just too scheming and not much else, the Prince too ambitious and not much else, Gamori too whimpering peasanty and not much else. The production is beautifully visual, especially for an audio-only production. There are great sequences in which character thoughts become "painted" on walls of psychic paper, the painting done with excellent sound effects. This would have been a true visual treat if done on TV.
| What: | Patient Zero (Big Finish: The Monthly Adventures) |
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| By: | David Layton, Los Angeles, United States |
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| Date: | Tuesday 6 March 2018 |
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| Rating: | 7 |
Big Finish begins its resolution of the Doctor 6 & Charley plot with the first of a tightly connected trilogy of stories. The location is a base at the far end of the Universe (early history) that stores thousands of biologically engineered viruses used in an interplanetary war. Charley has become unstuck in time, and the Doctor has been tracking down the origin of the virus causing this to said station. However, things are not all that simple. It turns out that The Daleks are also interested in these viruses, but are more interested in a "patient zero" who escaped their biological experiments. Meanwhile, on board the TARDIS, a ghostly presence calling herself Mila is haunting Charley and claiming that she has been on the TARDIS since the days of "The Chase" just looking for her opportunity to become real and join The Doctor on his adventures. All these side matters play in and out of what becomes mostly a standard Dalek story of their putting a base under siege. Enter new Dalek baddie: The Dalek Time Controller. Finally, we get introduced to a new alien "threat" of sorts, the mysterious Viyrans, whose purpose is solely the eradication of deadly bio-engineered viruses. The story is hampered a bit by the requirement to set up all the elements that will play out through the remaining two stories.
| What: | The Butcher of Brisbane (Big Finish: The Monthly Adventures) |
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| By: | David Layton, Los Angeles, United States |
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| Date: | Saturday 24 February 2018 |
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| Rating: | 9 |
Though many listeners will probably liken this story most to "Enemy of the World," its icy grimness kept reminding me of "Spare Parts." The TARDIS gets zapped by one of the Zigma experiments of the 51st century, which ends up splitting Nyssa and Turlough from The Doctor and Tegan not by distance but by years, three of them to be precise. While waiting for The Doctor to turn up, Nyssa and Turlough become spies for the Earth coalition opposing the infamous Minister of Justice, Magnus Greel. This cloak and dagger story offsets the story of The Doctor, who knows what will happen historically and is doing his very best to keep as many people safe as possible while neither interfering with time nor giving away just how much he knows. The ties to "Talons of Weng-Chiang," to which this becomes the prequel, are tastefully and unobtrusively handled. Special attention goes to Angus Wright, who is superb as Magnus Greel, making him both horrifying and pitiable at the same time. The only drawback to the story for me was that The Doctor remains cagey about what knows long after there is any real need to hide the knowledge. Other than that, this is truly an excellent production.
| What: | A Life of Crime (Big Finish: The Monthly Adventures) |
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| By: | David Layton, Los Angeles, United States |
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| Date: | Saturday 24 February 2018 |
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| Rating: | 7 |
This story is the first to reunite Mel and Ace, and is designed mostly to get Mel back into the TARDIS crew. With Tony Selby not available, apparently, there is no Sabalom Glitz in person, but his presence is everywhere in the story. This story itself takes place on a "Costa del Crime" type planet with corrupt officials looking the other way while wealthy criminals live high off their ill-gotten gains. There is some kind of scheme going on with an old buddy of Glitz's, one Lefty Lonergan. Glitz has sent Mel in his stead. Meanwhile, the TARDIS takes The Doctor and Ace to the same planet, where they get caught up in the scam. The story has the cheeky exuberance of the 1987 series, which may leave some listeners unhappy. For those who liked that series, this will feel like home.
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| Middle of the Road Doctor Who |
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| What: | Quicksilver (Big Finish: The Monthly Adventures) |
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| By: | David Layton, Los Angeles, United States |
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| Date: | Sunday 11 February 2018 |
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| Rating: | 6 |
Another trick Big Finish is using to keep the brand interesting is to create unlikely pairings of companions - Ace and Mel, for instance. Here we get Constance and Flip. The story of this is rather old hat for Big Finish. A race of alien warriors has arrived on Earth to chase down a fugitive who brings with him advanced alien technology. The warriors then bring their war to Earth as well. The Doctor must straighten this out. The story also resolves where the Doctor/Constance story is going. She insists on going home, but the Doctor takes her there a little later (only by a few months) than expected. They say their goodbyes, then alien intrusion kicks in and back together they are, only this time Constance now believes her husband to be dead. Of course, we know that is not the case. There is a strange contrivance by which the aliens snatch Flip from her wedding in 2012 and whisk her off to Vienna, 1949. The plot has some gaping holes. For instance, just how does Kinvar know who the Doctor is and what a TARDIS is? This is never explained. More than anything else, the weak plotting drags down this story.
| What: | Order of the Daleks (Big Finish: The Monthly Adventures) |
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| By: | David Layton, Los Angeles, United States |
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| Date: | Wednesday 7 February 2018 |
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| Rating: | 7 |
The apparent genesis for this one is the vision of a Dalek made from stained glass. The story built around that image is rather standard Doctor Who fare. Stranded Daleks take over a monastery that even though is on an alien planet is almost exactly like Catholic monasteries of the Middle Ages. I am not sure why Mike Tucker bothers with the alien planet if he is going to be that close to Earth in all the particulars. The story has much comic relief involving our bombastic Doctor and his plucky assistant meeting an even more bombastic galactic official and his not quite as plucky assistant. This story is amusing mostly.
| What: | Alien Heart / Dalek Soul (Big Finish: The Monthly Adventures) |
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| By: | David Layton, Los Angeles, United States |
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| Date: | Tuesday 6 February 2018 |
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| Rating: | 7 |
This first in a trilogy of doubles gives Big Finish another approach to keep the Doctor Who audios fresh. This time, the listener gets two 2-part stories vaguely joined, rather than one 4-part story. It helps in having the audios match the pace of New Who. On the other hand, it introduces some of the problems of New Who in that the need to get it over quickly can deny the audience of character interaction and deeper plot development. In this duo, the first "Alien Heart," is the weaker story. The Doctor and Nyssa stumble upon a secret Dalek plot, this time by an isolated side group. This bunch of Daleks are from earlier in Dalek history than the New Who Daleks. The second, "Dalek Soul," is by far the more interesting. Even though the gimmick is a bit obvious, it is played out very well, with Peter Davison and Sarah Sutton giving extraordinary performances as darker versions of their characters. The whole is a worthwhile deviation from the normal run of Big Finish audios.
| What: | Mawdryn Undead (Target novelisations) |
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| By: | David Layton, Los Angeles, United States |
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| Date: | Tuesday 6 February 2018 |
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| Rating: | 6 |
This novelization of a Doctor Who episode was written by the scriptwriter. This makes a bit of a difference, either because it allows him to get some details into the story that did not make it to the televised version, or because it allows him to rethink some details. Either way, the novel turns out to be a little better than the serial by filling in some gaps. Chief among these is the difference between The Brigadier 1977 and The Brigadier 1983. In the novel, Grimwade makes clear that the “breakdown” event had a much greater effect on The Brigadier than the TV serial showed. The story itself is one of the more tightly plotted, as time paradox stories need to be. Grimwade, however, makes a few narrative errors, such using the “Little did he know that...” narrative intrusion several times. I am also not so fond of stories in which everyone knows what a Time Lord is. That makes the Doctor Who universe too small.
