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| What: | Scaredy Cat (Big Finish: The Monthly Adventures) |
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| By: | Joe Ford, Eastbourne |
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| Date: | Tuesday 15 November 2005 |
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| Rating: |   1 |
That was a tedious mess, unoriginal to the last line and lacking a single decent performance to make the tired script bearable. Even the production, usually a plus for Big Finish is utterly bland. After the boundary stretching Terror Firma I was expecting the eighth Doctor series to continue to surprise but it turns out it wasn't the divergent universe that saw this series go down the pan, it was the creators of this company, who are producing some real duffers this year. They need to do something about this soon or I will take my buisness elsewhere, and if i'm feeling that way i'm sure others will be too.
| What: | Scaredy Cat (Big Finish: The Monthly Adventures) |
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| By: | Adam Summers, Lower Bank, NJ, USA |
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| Date: | Monday 14 November 2005 |
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| Rating: | 3 |
It's disappointing when the best compliment I can give a release is about its length. Clocking in at just shy of 80 minutes, this is the shortest Big Finish since they started the Doctor Who series. Had "Scaredy Cat" been any longer, this may have been the first Big Finish serial I may not have seen through.
The Doctor has little dialogue other than exposition, and most of his explanations really stretch credibility. Charley seems to be her plucky self, yet does little other than set up the second part cliffhanger. C'rizz gets the short stick in the story. He has two chances to shine, but both are glossed over (Once during what could have been a very intense conflict with the Doctor and the consequences of interfering with time. Maybe it's me but I think that a character who's come from a universe without time into a universe with time, a writer should be able to pull out some decent character conflict.)
The rest of the cast are simply generic, forgettable characters (the scientist with good intentions, the scientist who's doubtful, the mysterious alien, the over the top villain). The story is so by the numbers, the numbers have their own numbers to go through the motions. "Scaredy Cat" leaves little depth for a repeat listen.
| What: | Scaredy Cat (Big Finish: The Monthly Adventures) |
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| By: | John Carter, Nottingham |
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| Date: | Wednesday 9 November 2005 |
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| Rating: | 1 |
Really poor release this one.
Lloyd Rose is hugely reliable when it comes to the level of quality one might expect from her writing, and this is not to say that she trots out the same thing with every book, Terrance Dicks style. It is simply that one can expect an EXCELLENT read every time. The Algebra of Ice is a wonderful book. I disagree with the reviewer below - it IS a cracking read. It's very competently written, which may sound like faint praise, but there's an awful lot of bad structuring and incoherence in the EDAs and PDAs, which makes this book very refreshing indeed. There is certainly intrigue and mystery, but not at the expense of clarity. The characters are superb (especially Brett, who is a truly nasty piece of work) and the prose is vivid and fluid. I recommend this very highly.
| What: | Nightshade (New Adventures novels) |
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| By: | Siskoid, Moncton, NB |
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| Date: | Wednesday 26 October 2005 |
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| Rating: | 9 |
Yes, Nightshade is a simple horror story, with Mark Gatiss once again showing his interest in telling village life stories, but I've written horror has never had such a strong effect on me. The set pieces manage to disturb this jaded old soul at times, and that's high praise.
Indeed, while a simple enough tale, the prose is extremely well written. Seems to lag in some of the early chapters (with a flashback to 1644 almost stopping the action), but it's a warm sort of lag, like a lazy evening in front of a fire. You get to care for a number of characters in the cast, though of course, they're pretty much all cannon fodder in a story like this.
If I have a reservation keeping this from a higher score, it's the fate of the title character, which was a bit abrupt and telegraphed for my taste. Still, there's lots to like here, as both the quiet and the action-packed bits are equally well done.
Overall: I would definitely recommend this as a first book to get into the NA range or even Who fiction as a whole.
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 | Dark and muddled or is that just me |
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Having read this book and then read all the other net based reviews I find myself in the distinct minority - I didnt enjoy it. One man's excellent plot thread is another's plot that seemed to jump about all over the place. The novel seemed to throw unimaginative names at us like homunculette & lord ruthventracolixabaxil. It was dark and depressing in places but on the positive side it did broaden the characters of both The Doctor and Sam - hopefully Sam's dark side may be exployted later. Don't let my review put you off - it's worth a read to see what you think
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| WARNING - Spoilers Ahead! |
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Have just finished reading World Game and I have to say I enjoyed it immensely. After a slowish start it soon picks up and becomes a great rollercoaster of a ride through the history involving Napolean, Duke Of Wellington, and Nelson. I had never read any of the stories from the so-called 'Season 6B' and approached this with a sense of trepidation that the continuity may bog it down, but in hind-sight I needn't have worried too much. It's not to say that there isn't any continuity at all, it's just that it doesn't detract at all from the plot of the book. There's also a link leading in to The Two Doctors towards the end!
Terrence Dicks portrays the second doctor to perfection here, which isn't too surprising really given he worked on the later Troughton TV shows. Plus, the fact a new companion is presented to the reader at the start of the story, coupled with the fact that you feel rather saddened at her demise later in the book shows how well she is characterised by Dicks throughout via her growing relationship with The Doctor.
You feel that Dicks has done his historical homework for this book, a theory supported by the presence of a section at the back of the book called 'Historical Notes' which gives annotations regarding some of the characters involved in the plot. You are left with the impression that Dicks has tried hard to base the events in the story as close to the historical reality as possible. As someone who loved the 'early historicals', this appealed to me greatly. What a coincidence that the day I finised reading it, I later found out was the 200th anniversary of Nelson's death at the Battle Of Trafalgar! Could this be a Doctor Who novel that is trying to mark this occasion, given it's release so near to this anniversary. In my eyes it did it proud, and I think I may now go and try to get a copy of 'Players' and read that to!
| What: | The Robots of Death (BBC classic series DVDs/Blu-rays) |
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| By: | Toby, England |
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| Date: | Saturday 22 October 2005 |
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| Rating: | 5 |
I have seen every episode of Doctor Who from this episode onwards and I do not think this was a good way to start off. The story was dull seeing that it was just a typical murder mystery only set with the person you thought was your freind turning out to be the murderer only set in the future. If you do not know that old story this would be good otherwise do not bother.
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| A glimpse of true potential |
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Budget restraints meant thre classic TV series never portrayed the supposed threat of the Daleks very well... there were no intergalatic invasions and mass subjugations of entire species, as referred to by the Doctor.
Congratulations then to Nicholas Briggs for giving us a sense of the true menace of the Daleks. Setting the series over a period of years has allowed the characters to progress and change, while giving a better snapsot of the relentless war machine that the Dalek race is supposed to mobilise.
The storylines may a tad obvious, but the originality is left for the end of the last disc... an alternative universe of "good" Daleks at least gives the mythology something different.
Big Finish proves the Doctor Who universe is very large and can cope without the Doctor.
| What: | The Monsters Inside (BBC New Series Adventures novels) |
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| By: | Siskoid, Moncton, NB |
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| Date: | Sunday 16 October 2005 |
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| Rating: | 8 |
The Monsters Inside has some great banter from Rose and the Doctor, and remains witty when we're inside their heads. Much closer to the TV series' pace than The Clockwise Man. So it's all great fun, with villains that really do pose a challenge for the heroes, and it flies by extremely fast.
If there's a flaw here, it's that the technobabble/pseudoscience is a bit off the charts. While this is common in Doctor Who, it does tend to make the later chapters a little too talky, and really, anything can be made to happen since the science makes little sense.
Still, some excellent scenes, great dialogue, and Rose comes up... well, roses. Great parts for both of them so that their being split up doesn't sink the book when we go back and forth.
Overall: Fun read that smacks of the TV series, though don't pick it up expecting hard SF
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| This book is very helpful |
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This book is very helpful for all those fast lines and Inside information of what different, hard to read actions were all about.
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| Of the City of the Damned |
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One of the more intriguing concepts that came out of Doctor Who's confinement to novels was Faction Paradox, a time travelling cult that sought to unravel and rewrite history. In the novels it was the Faction, not the Daleks, that led to Gallifrey's destruction. Since then, the Faction has spawned a small but flourishing genre of its own, the latest example of which being Warring States by Mags Halliday.
It's interesting to see how Halliday has reshaped the Faction';s mythology. One facet of this is that the Faction as originally envisaged by Lawrence Miles, was a rather English conceit, its iconography being that of Big Ben, Trafalgar Square and the Hell Fire caves (its base was built inside eleven day's taken from London's history when the Gregorian calendar replaced the Julian calendar. Having previously set Doctor Who novels in Barcelona at the time of the Spanish civil war, Halliday chooses Peking at the time of the Boxer Rebellion over eighteenth century England (it's always somewhat surprising to me how few authors have chosen China as a setting for Doctor Who stories). For much of this, the narrative tries to draw out the fantastic from the mundane; the structure of the city is defined by ritual, with telegraph lines and railways seen as disrupting the chi of the city. Where the Boxer cultists simply imagined themselves invulnerable to bullets and foreign weapons here this proves to be the case. Ritual acquires a significance lost to the Western inhabitants of the city, with the idea of prayers to ward off or invoke the spirits mapping previsely onto the existing Faction rituals and mythology.
While much of the narrative contains rather familiar ideas (archaeologists opening a tomb within a pyramid, a murder taking place within a locked room) much of it is also based around the slightly less familiar (to me, at any rate) Chinese wuxia narrative, a form of martials arts romance (typically where the hero was an outcast and criminal, just as the Faction are).
I may be generous with Exile, but I think it's really a thing of parts. Some parts excellent, some dreadful. It's easy to remember the dreadful parts, but I prefer to linger on the good.
So to get the bad out of the way: There are two kinds of comedy on show, and the one involving the female Doctor is unfortunately predicated on getting drunk. And if I go by Dalek Empire as well, Nick Briggs' idea of being drunk involves entirely too much belching and vomiting (fairly graphic too). Having the Doctor in a menial life with a couple of drunkard friends wears thin VERY quickly, and it's really too bad.
Why? Because Weir would be a passable Doctor if we go by the end of the play. I would have liked to see a little more of that and less of the bingeing. Especially frustrating since we have a woman in the role, and she is unfortunately made weak through most of the audio.
The Timelord double-act, on the other hand, draws from more Pythonesque humor and works much better. I wish Exile was like that all the way through! Certainly, it gives me confidence that Davis Tennant (one of the two Timelords) will make a witty Doctor worthy of Eccleston's first year.
Overall: Skip to the funny bits and the end when Weir really gets to be the Doctor.
Deadline asks "What if Doctor Who had never been made?" and spends more time with the washed up writer who missed with it than with his Doctor, whom he's still writing in his head as he goes progressively mad.
The play's well written, and the flights into fantasy play fast and loose with reality, as the Who mythos is added on little by little, remaining flexible. But it all really hinges on Derek Jacobi's performance.
And what a performance. Now, I've loved everything I've seen this actor do in the past, and he has a great voice. He really makes you go through all the emotions as his character isn't necessarily likeable, and is often pathetic. It's as touching as it is impressive a piece of acting.
For Doctor Who historians, there are plenty of references to the people who made it happen back in the 60s, and some lampooning of the true fanatics, with a policewoman series taking the place of Doctor Who in the hearts of fans. This is where it may get broader, but it still works. Finally, there's a greater message about what Doctor Who has brought to society as a whole.
Overall: The best audio play Big Finish has produced to date, even if the Doctor isn't really in it. It takes a big chance, but succeeds beautifully. (And wraps up the line started in Auld Mortality better than Exile.)
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| An interesting experiment |
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This Unbound plays with the Doctor's personality ("What if he was a right bastard?") and probably feels like the least Whovian of all the Unbound stories. It is the lesser for it, though I do appreciate the experiment.
Part of the problem is that the story, though well told through two timeframes, is rather unartful. There's nothing really new about it, it doesn't really refer to anything else in Who, it's just... average. Furthermore, you get some of the most repetitive musical cues ever in Big Finish. Unartful remains the best word to describe the whole package.
David Collings does a good job with the role, don't get me wrong, and I sometimes think it's worth a listen for the eye-popping last scene, but the buck stops there.
Overall: It's not Doctor Who, and though that's the point, the story around the idea doesn't quite elevate it enough.
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| Great story no matter what universe |
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Though David Warner's Doctor is perhaps not all that distinctive, he quickly makes the role his own, and you accept him totally in it. What really works well here is the story, which might have worked with any Doctor, unbound or not.
The Hong Kong setting is well used and unsettling. The retake on The Mind of Evil doesn't really cover the same ground and, again, is well used. The villain has some reasonmable scenes and is defeated smartly. It's all quite engaging and well constructed.
Nicholas Courtney as an older Brigadier who never had the Doctor's help with UNIT makes one of his best appearances on audio, and there's a fun double-act between him and the new UNIT leader (who's a hoot!) played by David Tennant. It's through these guys that we get references to the ol' UNIT stories and how they were changed by the Doctor's absence, and these are natural enough that they stimulate the imagination without stopping the story.
Overall: Though not as "unbound" as some of the other stories in this series, it's a great little thriller that is begging for a sequel (and now it seems it will get one).
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| Rich and complex, beautiful |
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Marc Platt gave us the incredibly dense Ghost Light, and Aulf Mortality is totally in that vein, taking a lot from the mythology he created in his novel Lungbarrow, but still not losing the listener.
It's "What if the Doctor had never left Gallifrey?" and it's a beautiful, if sad, tale, dense and rich with Doctor Who history, symbolism, and excellent performances from all involved. This is the best version of Susan I've ever met, for example.
There are lots of winks to Doctor Who lore here, from twisted ankles to Daleks, and the spin given to reality at the end is a moment of exaltation that manages to launch the Unbound series in a fun way.
Overall: Excellent. The kind of audio that immediately merits another listen to get all the texture.
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| Great script because a great episode |
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What else can you ask from a script book? This is one of the best Doctor Who stories ever, and Holmes' script crackles with the same wit and energy as the aired story.
| What: | The Discontinuity Guide (Miscellaneous factual books) |
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| By: | Siskoid, Moncton, NB |
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| Date: | Friday 14 October 2005 |
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| Rating: | 10 |
Mine is constantly nearby since it contains a lot of useful or fun information on each episode of the classic series. Briefer than such guides as About Time, but where else can you get all the stories in one small package? Aside from the info, the essays trying to tie up continuity are good and useful, it collects a lot of great lines, doesn't mind laughing at the material, and has some fair criticism of each story.
Other books go more in-depth, but no other book is as accessible and casually perused.
Like the Discontinuity Guide with a lot more discussion, this guide to the 3rd Doc is all the better for its many essays on various aspects of the show, answering niggling continuity questions and placing the series in its context. A critical analysis in addition to the usual geeky information.
The authors have a tendency to trash certain people (from Who and not), but it's not overblown in this particular book. Just take such things with a grain of salt, since this is shaping up to be a definitive guide to Who.
