|Reviews for Heroes of Sontar|
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|By:||Matthew David Rabjohns, Bridgend, United Kingdom|
|Date:||Monday 30 May 2011|
|Rating: || 10|
They come along very rarely. Stories that are funny, but still with so much action and drama to balance. This story is one of the funniest in a long while. The humour is just right, and never even approaching over the top. The characters of all the four main stars are spot on, and the Sontarans are all very interesting indeed. Alan Barnes has done it big time with this brilliant four parter. Starts the season very very strongly indeed.
|By:||Clive T Wright, St Lawrence, United Kingdom|
|Date:||Tuesday 14 June 2011|
|Rating: || 9|
Heroes of Sontar, plays up to the classic image of the english army of days gone by. Lots of mad old generals, die hard troops, a little WWI and Blackadder humour thrown in for fun.
Overall a great story, funny, enjoyable, a real feast for the ears.
|By:||Quanna Moulmans, Brussels, Belgium|
|Date:||Tuesday 30 August 2011|
|Rating: || 10|
Heroes of Sontar is fantastic. It's the perfect mix between comedy and drama. The story is great, fast paced and action packed. I was never a great fan of the Sontarans, but the ones in this particular story had my attention within seconds, especially the one who lost his tongue. He has to be my favourite Sontaran ever.
As for the TARDIS team, they were all given the chance to take central stage. The dialogue between Tegan and Turlough is fun in the beginning, but does get a bit repetitive in the end. Snappy comment from Tegan, snappy comment back from Turlough. And so on. That scene between Tegan and Nyssa however, was brilliantly done and really emotional. The Doctor was great, but then he is the Doctor.
A brilliant story performed by a brilliant cast. Well worth a listen!
|By:||David Layton, Los Angeles, United States|
|Date:||Friday 23 August 2013|
|Rating: || 7|
"Heroes of Sontar" is the Doctor Who take on Dad's Army, with a bunch of hapless Sontarans as the fighting fools. To the extent that this is the principal idea of the story, it works quite well. The Doctor and crew arrive on a planet of peace and love only to find that everyone is dead and the only things left are the ruins and some pinkish (or was it orange?) moss covering it all. Then, the Sontarans arrive, whose mission, unknown to them, is simply to die and thus break a "curse" that has led to multiple Sontaran defeats. Of course, nothing is quite as simple as that.
The whole is indeed quite amusing. There are many good lines, and Peter Davison has excellent comic timing. Because this one is played for laughs much of the time, the companions get simplified into their respective types. Turlough is ever so cowardly, Nyssa ever so helpless, and Tegan ever so bossy. In fact, the most amusing moments come from Tegan, either through sarcastic putdowns of Sontarans or bossing around Sontarans.
Like other Alan Barnes scripts, this story's detriments mainly come from stretching a premise too far and not having a clear and plausible rationale for the events. In typical Barnes fashion, there is much about beings melding with each other; the moss is melding into Nyssa and the phantom swordsmen are a gestalt entity who become powerful by absorbing other beings and merging together. These same sorts of ideas are central to "The Next Life," another Barnes script. Frankly, the swordsmen do not make much sense as a concept. What they are, what they do, and why they do it remain rather hazy. If they want to grow stronger by absorbing Sontarans, they seem to be going about it in an overly complicated manner with low chance of success.
So, high marks for comedy; just passing marks on rationality.